The long, slow journey tried her father’s strength, and assuming an authority to which he yielded obedience tempered by grumbling, Joan sent him to bed, and would not let him come down till Christmas Day. The big, square house was on the outskirts of the town where it was quiet, and in the afternoon they walked in the garden sheltered behind its high brick wall. She touched his hand lightly.!

“You will let me make one for you, dearie, won’t you?” she said. “I feel sure it will be a little Christ baby.” “No,” admitted Mr. Simson with generosity. “It’s only natural. It’s a fight to the finish between me and the Bourgeois. I cover them with ridicule and contempt and they hit back at me in the only way they know.”

“I’ll try,” he promised, “but it won’t be any use; I shall drift about the streets, seeking to put heart into myself, but all the while my footsteps will be bearing me nearer and nearer to the recruiting office; and outside the door some girl in the crowd will smile approval or some old fool will pat me on the shoulder and I shall sneak in and it will close behind me. It must be fine to have courage.” Joan was puzzled what to say. She knew exactly what she ought to say: what she would have said to any ordinary child. But to say it to this uncannily knowing little creature did not promise much good. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.